This Black History Month, dive into powerful stories that celebrate Black voices and culture. From thought-provoking plays to groundbreaking narratives, explore works that inspire, challenge, and honor the rich history and contributions of Black communities.

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Plays

Topdog/Underdog by Suzan-Lori Parks

Winner of the 2022 Pulitzer Prize for Drama

A darkly comic fable of brotherly love and family identity is Suzan-Lori Parks’ latest riff on the way we are defined by history. The play tells the story of Lincoln and Booth, two brothers whose names were given to them as a joke, foretelling a lifetime of sibling rivalry and resentment. Haunted by the past, the brothers are forced to confront the shattering reality of their future.

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The Hot Wing King by Katori Hall

Winner of the 2021 Pulitzer Prize for Drama

Ready, set, fry! It’s time for the annual “Hot Wang Festival” in Memphis, Tennessee, and Cordell Crutchfield knows he has the wings that’ll make him king. Supported by his beau Dwayne and their culinary clique, The New Wing Order, Cordell is marinating and firing up his frying pan in a bid to reclaim the crispy crown. When Dwayne takes in his troubled nephew however, it becomes a recipe for disaster. Suddenly, a first place trophy isn’t the only thing Cordell risks losing.

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Intimate Apparel by Lynn Nottage

In 1905 New York City, Esther, a Black seamstress, is in great demand for the intimate apparel she creates for clients who range from wealthy white patrons to prostitutes. Though leading a life that provides joy to so many, she remains lonely and longing for a husband and a future. Through a mutual acquaintance, she begins a correspondence with a lonesome Caribbean man named George and soon he persuades her that they should marry, sight unseen. However, Esther’s heart is drawn to the Hasidic shopkeeper from whom she buys cloth, and his heart with her. When George arrives in the city, Esther is hit with the reality of the situation and she is forced to face a future that she is truly unprepared for.

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Jaja’s African Hair Braiding by Jocelyn Bioh

Jaja’s African Hair Braiding in Harlem is a salon full of funny, whip-smart, talented women ready to make you look and feel nice-nice. On this particularly muggy summer day, Jaja’s rule-following daughter Marie is running the shop while her mother prepares for her courthouse, green-card wedding—to a man no one seems to particularly like. Just like her mother, Dreamer Marie is trying to secure her future; she’s just graduated high school and all she wants to do is go to college. While Marie deals with the customers’ and stylists’ laugh-out-loud drama, news pierces the hearts of the women of the salon, galvanizing their connections and strengthening the community they have longed to make in the United States.

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Wine in the Wilderness by Alice Childress

As described in the Boston Herald Traveler: “The drama was woven around a young girl, played by Abbey Lincoln, befriended by an artist looking for a model of a grass-roots woman, ignorant and unattractive, for his triptych. It opens amidst Negro riots that have burned the girl out of her apartment and Abbey gets off a few cracks that hit home when the artist and his friends haul out the Afro-American bit by crying, ‘The Afro-Americans burnt down my home. They holler ‘Whitey’ but who did they burn down—me!’ There were many poignant moments as the two were magnetically drawn together and pushed apart. Abbey’s fear of falling in love with the artist, his desire to hold her there only long enough to paint her for his triptych, her disillusionment when she finds out, from Old Timer, one of the neighborhood’s characters, that he wants a woman who’s ugly and ignorant for his model. What WINE IN THE WILDERNESS captured was the turmoil the blacks feel, the pretenses they assume—like wearing straight-haired wigs—the looting of their own people in a riot—something Old Timer rationalized in a humorous manner.” But something which, like the other deeply felt revelations in the play, goes directly and surely to the heart of the racial dilemma.

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Thoughts of a Colored Man by Keenan Scott II

Dawn breaks in Brooklyn, and seven black men rise to meet the day. One of them, a finance director, leaves his luxurious condo to jog around their rapidly gentrifying neighborhood, just as a grocery-store clerk is starting another soul-crushing shift. At the bus stop, two best friends debate the intricacies of modern dating, while a basketball coach at the youth center grapples with his unrealized potential. At the hospital, a teacher and his father-in-law welcome a new life. And at the barbershop, the whole group meets for cuts and conversation as sparks fly over questions of identity and community. Through the storytelling style of SLAM Narrative, Thoughts of a Colored Man celebrates the hopes, ambitions, joys, and triumphs of black men in a world that often refuses to hear them.

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Flex by Candrice Jones

The pressure is on for the 1998 Lady Train high school basketball team—on top of a battle to bring home the championship trophy, it is also college scouting season. But the team’s performance on the court is tested as it ruptures under the weight of its own infighting, and the once-tight players begin to focus on their individual futures. What does it mean to be a Black girl on the brink of freedom and womanhood in a small town in the South? Does honoring your own wants mean sacrificing your friends, family, and team? This funny and frank play about getting a full-court press from life will have audiences cheering.

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BLKS by Aziza Barnes

When shit goes down, your girls show up. Waking up to a shocking and personal health scare, Octavia and her best friends, June and Imani, go on a crusade to find intimacy and joy in a world that could give a fuck less about them or their feelings. This 24-hour blitz explores what it is to be a queer blk woman in 2015 New York, how we survive and save ourselves from ourselves.

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Chicken & Biscuits by Douglas Lyons

Can rivaling sisters Baneatta and Beverly bury their father without killing each other? This proves difficult when Beverly shows up to the chapel with her “blessings” on display. Meanwhile, Baneatta’s son brings his neurotic Jewish boyfriend along, knowing Baneatta disapproves, and Beverly’s nosy daughter keeps asking questions no one wants to answer. Baneatta’s pastor husband tries to mediate the family drama, but when a shocking family secret reveals itself at the pulpit, the two sisters are faced with a truth that could either heal or break them.

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Broadway Book Club Black Voices

Centering on Black playwrights of the past, present, and future: they are setting the rules, defying expectations, and changing the face of theatre for good. This pack of five plays includes titles by Branden Jacobs-Jenkins, Lynn Nottage, and more!

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Musicals

Passing Strange; Book, Music & Lyrics by Stew, Music by Heidi Rodewald

From singer-songwriter and performance artist Stew comes Passing Strange, a daring musical that takes you on a journey across boundaries of place, identity and theatrical convention. Stew brings us the story of a young bohemian who charts a course for “the real” through sex, drugs and rock ‘n’ roll. Loaded with soulful lyrics and overflowing with passion, the show takes us from black middle-class America to Amsterdam, Berlin and beyond on a journey towards personal and artistic authenticity.

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The Bubbly Black Girl Sheds Her Chameleon Skin; Book, Music and Lyrics by Kirsten Childs

What’s a Black girl from sunny Southern California to do? White people are blowing up Black girls in Birmingham churches. Black people are shouting “Black is beautiful” while straightening their hair and coveting light skin. Viveca Stanton’s answer: Slap on a bubbly smile and be as white as you can be! In a humorous and pointed coming-of-age story spanning the 60s through the 90s, Viveca blithely sails through the confusing worlds of racism, sexism, and Broadway showbiz until she’s forced to face the devastating effects of self-denial.

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Crowns; by Regina Taylor. Adapted from the book by Michael Cunningham and Craig Marberr

A moving and celebratory musical play in which hats become a springboard for an exploration of Black history and identity as seen through the eyes of a young Black woman who has come down South to stay with her aunt after her brother is killed in Brooklyn. Hats are everywhere, in exquisite variety, and the characters use the hats to tell tales concerning everything from the etiquette of hats to their historical and contemporary social function. There is a hat for every occasion, from flirting to churchgoing to funerals to baptisms, and the tradition of hats is traced back to African rituals and slavery and forward to the New Testament and current fashion. Some rap but predominantly gospel music and dance underscore and support the narratives. The conclusion finds the standoffish young woman, whose cultural identity as a young Black Brooklyn woman has been so at odds with the more traditional and older Southern Blacks, embrace hats and their cultural significance as a part of her own fiercely independent identity.

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Polkadots: The Cool Kids Musical; Book by Melvin Tunstall III, Music by Greg Borowsky and Douglas Lyons, Lyrics by Douglas Lyons
Based on an original concept by Douglas Lyons

 

The plot follows 8-year-old Lily Polkadot who just moved to the “Squares Only” small town of Rockaway. As the first Polkadot in an all Square school, Lily faces an almost impossible task of gaining acceptance from her peers. From daily bullying to segregated drinking fountains, Lily’s quest seems hopeless until she meets Sky, a shy Square boy whose curiosity for her unique polkadot skin blooms into an unexpected pal-ship. Inspired by the events of The Little Rock 9, Polkadots serves as a colorful history lesson for children, reminding them that our individual differences make us awesome, not outcasts.

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The Colored Museum by George C. Wolfe

The Colored Museum has electrified, discomforted, and delighted audiences of all colors, redefining our ideas of what it means to be Black in contemporary America. Its eleven “exhibits” undermine Black stereotypes old and new and return to the facts of what being Black means.

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After Midnight; Conceived by Jack Viertel

Welcome back to that electrifying time when Harlem’s Cotton Club was the place to be. Winner of the 2014 Tony®, Drama Desk, Outer Critics Circle, and Astaire Awards for Best Choreography, After Midnight is the smash-hit musical that celebrates Duke Ellington’s years at the famed club. Combining the big-band songs of Duke Ellington, Jimmy McHugh, Dorothy Fields and Harold Arlen, this musical revue is framed by the poetry of Langston Hughes.

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Broadbend, Arkansas; Libretto by Ellen Fitzhugh and Harrison David Rivers, Music and Additional Lyrics by Ted Shen

A Black family grapples with decades of inequality, violence, and suppression in the South. Benny, an orderly at a nursing home, delicately balances his role as a caregiver to an ornery white resident who shares a contentious past with his white boss, while at the same time caring for his own family as the fight for equality grips the nation in the midst of the 1960s Civil Rights Movement. Twenty-seven years later, his daughter, Ruby, struggles to understand an incident of police brutality against her 15-year-old son. This unique musical, spanning three decades and three generations, asks us to contemplate the cycle of violence in this country and how we will find hope and create change against the backdrop of hate that plagues America.