What’s hot at Broadway Licensing Global? Check out the top trending titles of the week from Broadway Licensing, Dramatists Play Service, and Playscripts.
Ghostlight by Stephen Gregg
When indifferent student Garbiela Nettles is inexplicably admitted to the prestigious Doves Forge Academy, all she wants to do is leave. But before she can get herself expelled, Garbiela starts to hear sounds that no one else hears: ghost echoes from the remnants of a long-ago tragedy in the school’s theatre. As she investigates the sounds (by joining the disastrous play in progress), Garbiela uncovers a story that’s both surprising and surprisingly moving. Theatrically staged using the production’s audience and live sound effects, Ghostlight has hilarious characters, unexpected twists, and a riotous finale. SPECIAL NOTE: Original music composed for the play by Isaiah Louis Hastings is available free of charge. The original music is optional, but highly recommended by the author.
Love Letters by
Andrew Makepeace Ladd III and Melissa Gardner, both born to wealth and position, are childhood friends whose lifelong correspondence begins with birthday party thank-you notes and summer camp postcards. Romantically attached, they continue to exchange letters through the boarding school and college years—where Andy goes on to excel at Yale and law school, while Melissa flunks out of a series of “good schools.” While Andy is off at war Melissa marries, but her attachment to Andy remains strong and she continues to keep in touch as he marries, becomes a successful attorney, gets involved in politics and, eventually, is elected to the U.S. Senate. Meanwhile, her marriage in tatters, Melissa dabbles in art and gigolos, drinks more than she should, and becomes estranged from her children. Eventually she and Andy do become involved in a brief affair, but it is really too late for both of them. However Andy’s last letter, written to her mother after Melissa’s untimely death, makes it eloquently clear how much they really meant, and gave to, each other over the years—physically apart, perhaps, but spiritually as close as only true lovers can be.
Bat Boy: The Musical by Keythe Farley, Brian Flemming, and Laurence O’Keefe
Based on a story in The Weekly World News, BAT BOY: THE MUSICAL is a musical comedy/horror show about a half boy/half bat creature who is discovered in a cave near Hope Falls, West Virginia. For lack of a better solution, the local sheriff brings Bat Boy to the home of the town veterinarian, Dr. Parker, where he is eventually accepted as a member of the family and taught to act like a “normal” boy by the veterinarian’s wife, Meredith, and teenage daughter, Shelley. Bat Boy is happy with his new life, but when he naively tries to fit in with the narrow-minded people of Hope Falls, they turn on him, prodded by the machinations of Dr. Parker, who secretly despises Bat Boy. Shelley and Bat Boy, who have fallen in love, run away together from the ignorant townfolk and have a blissful coupling in the woods, but their happiness is shattered when Meredith arrives and reveals a secret. Soon the entire town arrives and hears the shocking story of Bat Boy’s unholy origin.
Two cops. Three crooks. Eight doors. Go. In a cheap motel room, an embezzling mayor is supposed to meet with his female accountant, while in the room next-door, two undercover cops wait to catch the meeting on videotape. But there’s some confusion as to who’s in which room, who’s being videotaped, who’s taken the money, who’s hired a hit man, and why the accountant keeps taking off her clothes.
The action of the play occurs in an English industrial city, where a young girl commits suicide and an eminently respectable British family is subject to a routine inquiry in connection with the death. An inspector calls to interrogate the family, and during the course of his questioning, all members of the group are implicated lightly or deeply in the girl’s undoing. The family, closely knit and friendly at the beginning of the evening, is shown up as selfish, self-centered or cowardly, its good humor turning to acid, and good fellowship to dislike, before the evening is over. The surprising revelation, however, is in the inspector—who turns out to be no copper at all but a mysterious individual with full knowledge of everyone’s connection with the suicide. After the false inspector has been shown up, and it is discovered that no suicide had been recorded, an actual copper shows, and a last-minute suicide is reported, which ties in mysteriously with the foregoing.
Four literary heroines of the nineteenth century set conventionalism ablaze when they turn down marriage proposals from their equally famous gentlemen callers. What results is a confluence of love, anger, grief, and bloodshed, as the ensemble struggles to reconcile romantic ideologies of the past with their modern ideas of courtship. Everything you’ve learned about love from the pages of Pride and Prejudice, Wuthering Heights, Jane Eyre, and Little Women is turned upside down in this grand theatrical battle royale.
1939 Hollywood is abuzz. Legendary producer David O. Selznick has shut down produc-tion of his new epic, Gone with the Wind, a film adaptation of Margaret Mitchell’s novel. The screenplay, you see, just doesn’t work. So what’s an all-powerful movie mogul to do? While fending off the film’s stars, gossip columnists and his own father-in-law, Selznick sends a car for famed screenwriter Ben Hecht and pulls formidable director Victor Fleming from the set of The Wizard of Oz. Summoning both to his office, he locks the doors, closes the shades, and on a diet of bananas and peanuts, the three men labor over five days to fashion a screenplay that will become the blueprint for one of the most successful and beloved films of all time.
Electricidad by
In the years following the murder of her father by her mother, Electricidad is committed to vengeance. To get it, she’ll need her brother, Orestes, to return from Las Vegas and help her finish the job. Transporting Sophocles’ Electra to the Los Angeles barrios, Luis Alfaro investigates violence, loss, and redemption through the lens of this age-old tragedy.
Little Women adapted by Marisha Chamberlain
Under the guidance of their beloved mother, the four young March sisters — tempestuous Jo, motherly Meg, shy Beth, and spoiled baby Amy — struggle to keep their family going while Father’s away in the Civil War. In this beautifully dramatized adaptation of the classic novel, even as privation, illness, and sibling rivalry cast their shadows, each girl strives to find her true self. (A one-act version of this play is also available.)
Adaptation by Kate Hamill is also available.
Snow White by Marjorie Sokoloff
The Witch was the fairest one of all first, and she will not be silenced any longer! This updated version of the classic story unveils the villain’s perspective, from her tragic childhood to her quest for revenge. So how did the story really go? Join all seven quirky dwarves, a tongue-tied prince, a sassy mirror, a dancing chicken, and of course Snow White, in a tale about beauty, friendship, and happily-ever-afters with a twist.
