Love is in the air at Broadway Licensing Global! Join us in celebrating love in all kinds of forms and let these enchanting stories fill your day with joy and inspiration.
Plays
Almost, Maine by
The Story: Welcome to Almost, Maine, a place that’s so far north, it’s almost not in the United States. It’s almost in Canada. And it’s not quite a town, because its residents never got around to getting organized. So it almost doesn’t exist. One cold, clear, winter night, as the northern lights hover in the star-filled sky above, the residents of Almost, Maine, find themselves falling in and out of love in unexpected and hilarious ways. Knees are bruised. Hearts are broken. But the bruises heal, and the hearts mend—almost—in this delightful midwinter night’s dream.
You Can’t Take It with You by Moss Hart and George S. Kaufman
Winner of the 1937 Pulitzer Prize for Drama
The Story: At first the Sycamores seem mad, but it is not long before we realize that if they are mad, the rest of the world is madder. In contrast to these delightful people are the unhappy Kirbys. The plot shows how Tony, attractive young son of the Kirbys, falls in love with Alice Sycamore and brings his parents to dine at the Sycamore home on the wrong evening. The shock sustained by the Kirbys, who are invited to eat cheap food, shows Alice that marriage with Tony is out of the question. The Sycamores, however, though sympathetic to Alice, find it hard to realize her point of view. Meantime, Tony, who knows the Sycamores are right and his own people wrong, will not give her up, and in the end Mr. Kirby is converted to the happy madness of the Sycamores, particularly since he happens in during a visit by an ex-Grand Duchess, earning her living as a waitress. No mention has as yet been made of the strange activities of certain members of the household engaged in the manufacture of fireworks; nor of the printing press set up in the parlor; nor of Rheba the maid and her friend Donald; nor of Grandpa’s interview with the tax collector when he tells him he doesn’t believe in the income tax.
Picnic by
Winner of the 1953 Pulitzer Prize for Drama
The Story: The play takes place on Labor Day weekend in the joint backyards of two widows. One house belongs to Flo Owens, who lives there with her two daughters, Madge and Millie, and a schoolteacher boarder. The other house belongs to Helen Potts, who lives with her elderly and invalid mother. Into this female atmosphere comes a young man named Hal Carter, whose animal vitality seriously upsets the entire group.
Sense and Sensibility by
The Story: A playful new adaptation of Jane Austen’s beloved novel follows the fortunes (and misfortunes) of the Dashwood sisters—sensible Elinor and hypersensitive Marianne—after their father’s sudden death leaves them financially destitute and socially vulnerable. Set in gossipy late 18th-century England, with a fresh female voice, the play is full of humor, emotional depth, and bold theatricality. Sense and Sensibility examines our reactions, both reasonable and ridiculous, to societal pressures. When reputation is everything, how do you follow your heart?
Pride and Prejudice by
The Story: This isn’t your grandmother’s Austen! Bold, surprising, boisterous, and timely, this P&P for a new era explores the absurdities and thrills of finding your perfect (or imperfect) match in life. The outspoken Lizzy Bennet is determined to never marry, despite mounting pressure from society. But can she resist love, especially when that vaguely handsome, mildly amusing, and impossibly aggravating Mr. Darcy keeps popping up at every turn?! Literature’s greatest tale of latent love has never felt so theatrical, or so full of life than it does in this effervescent adaptation. Because what turns us into greater fools…than the high-stakes game of love?
Crimes of the Heart by
Winner of the 1981 Pulitzer Prize and the New York Drama Critics Circle Award for Best American Play
The Story: The scene is Hazlehurst, Mississippi, where the three Magrath sisters have gathered to await news of the family patriarch, their grandfather, who is living out his last hours in the local hospital. Lenny, the oldest sister, is unmarried at thirty and facing diminishing marital prospects; Meg, the middle sister, who quickly outgrew Hazlehurst, is back after a failed singing career on the West Coast; while Babe, the youngest, is out on bail after having shot her husband in the stomach. Their troubles, grave and yet, somehow, hilarious, are highlighted by their priggish cousin, Chick, and by the awkward young lawyer who tries to keep Babe out of jail while helpless not to fall in love with her. In the end the play is the story of how its young characters escape the past to seize the future—but the telling is so true and touching and consistently hilarious that it will linger in the mind long after the curtain has descended.
The Seussification of Romeo and Juliet (one-act) by Peter Bloedel
The Story: A whimsical reinvention of Shakespeare’s tragic love story, complete with rhymed couplets, creative wordplay, and fantastical machines — similar to something Dr. Seuss might have come up with if he ever had his way with the script… (A full-length version of this play is also available.)
Love Letters by
The Story: Andrew Makepeace Ladd III and Melissa Gardner, both born to wealth and position, are childhood friends whose lifelong correspondence begins with birthday party thank-you notes and summer camp postcards. Romantically attached, they continue to exchange letters through the boarding school and college years—where Andy goes on to excel at Yale and law school, while Melissa flunks out of a series of “good schools.” While Andy is off at war Melissa marries, but her attachment to Andy remains strong and she continues to keep in touch as he marries, becomes a successful attorney, gets involved in politics and, eventually, is elected to the U.S. Senate. Meanwhile, her marriage in tatters, Melissa dabbles in art and gigolos, drinks more than she should, and becomes estranged from her children. Eventually she and Andy do become involved in a brief affair, but it is really too late for both of them. However Andy’s last letter, written to her mother after Melissa’s untimely death, makes it eloquently clear how much they really meant, and gave to, each other over the years—physically apart, perhaps, but spiritually as close as only true lovers can be.
Gruesome Playground Injuries by
The Story: Over the course of 30 years, the lives of Kayleen and Doug intersect at the most bizarre intervals, leading the two childhood friends to compare scars and the physical calamities that keep drawing them together.
Intimate Apparel by
The Story: The time is 1905, the place New York City, where Esther, a black seamstress, lives in a boarding house for women and sews intimate apparel for clients who range from wealthy white patrons to prostitutes. Her skills and discretion are much in demand, and she has managed to stuff a goodly sum of money into her quilt over the years. One by one, the other denizens of the boarding house marry and move away, but Esther remains, lonely and longing for a husband and a future. Her plan is to find the right man and use the money she’s saved to open a beauty parlor where black women will be treated as royally as the white women she sews for. By way of a mutual acquaintance, she begins to receive beautiful letters from a lonesome Caribbean man named George who is working on the Panama Canal. Being illiterate, Esther has one of her patrons respond to the letters, and over time the correspondence becomes increasingly intimate until George persuades her that they should marry, sight unseen. Meanwhile, Esther’s heart seems to lie with the Hasidic shopkeeper from whom she buys cloth, and his heart with her, but the impossibility of the match is obvious to them both, and Esther consents to marry George. When George arrives in New York, however, he turns out not to be the man his letters painted him to be, and he absconds with Esther’s savings, frittering it away on whores and liquor. Deeply wounded by the betrayal, but somehow unbroken, Esther returns to the boarding house determined to use her gifted hands and her sewing machine to refashion her dreams and make them anew from the whole cloth of her life’s experiences.
Constellations by
The Story: This spellbinding, romantic journey begins with a simple encounter between a man and a woman. But what happens next defies the boundaries of the world we think we know—delving into the infinite possibilities of their relationship and raising questions about the difference between choice and destiny.
Sugar in Our Wounds by
The Story: On a plantation somewhere down south, a mystical tree reaches up toward heaven. Generations of slaves have been hanged on this tree. But James is going to be different, as long as he keeps his head down and practices his reading. Moreover, as the Civil War rages on, the possibility of freedom looms closer than ever. When a stranger arrives on the plantation, a striking romance emerges, inviting the couple and those around them into uncharted territory.
Merry Wives by
The Story: Set in South Harlem, amidst a vibrant and eclectic community of West African immigrants, MERRY WIVES is a New York story about tricks of the heart. A raucous spinoff featuring the Bard’s most beloved comic characters, this hilarious farce tells the story of the trickster Falstaff and the wily wives who outwit him in a celebration of Black joy, laughter, and vitality.
The Cottage by
The Story: Sylvia and Beau find themselves in an English countryside cottage for their yearly rendezvous, and Sylvia knows this time it will be the beginning of their new life together. But when Beau demurs on a shared future, and their spouses arrive at the cottage, she realizes that this home-away-from-home is a refuge for determining a new path forward. With a tip of the hat to Noël Coward and sex comedies of the past, THE COTTAGE offers a perfect showcase for six actors with endless laughs, hilarious twists, daring physical comedy, and a happy ending for lovers everywhere.
On That Day in Amsterdam by
The Story: Kevin is a first-generation Filipino-American college student who, on his last night in Amsterdam, has a one-night stand with Sammy, a guy he meets in a bar. But when his flight gets delayed, Kevin finds himself spending the day with Sammy and what began as a one-night stand becomes a deeper connection. Years later, Kevin is still trying to capture that day in writing. Sammy was a refugee without papers—what was his home country? Surely Kevin asked, right? Did Sammy want to study art, or was it Kevin who wanted him to study art? As his memories become more and more elusive, one truth remains: The pair have not heard from each other since, and Kevin cannot shake his regret. Weaving in historical figures who also were touched by art and the uncertainty of life, ON THAT DAY IN AMSTERDAM explores love, art, loss, and what it means to live.
Musicals
Head Over Heels (High School Edition) adapted by James Magruder, music & lyrics by The Go-Go’s
The Story: Head Over Heels is the bold new musical comedy from the visionaries that rocked Broadway with Hedwig and the Angry Inch, Avenue Q and Spring Awakening. This laugh-out-loud love story is set to the music of the iconic 1980’s all-female rock band the Go-Go’s, including the hit songs, “We Got the Beat,” “Our Lips Are Sealed,” “Vacation,” Belinda Carlisle’s “Heaven is a Place on Earth,” and “Mad About You.”
A hilarious, exuberant celebration of love, HEAD OVER HEELS follows the escapades of a royal family on an outrageous journey to save their beloved kingdom from extinction—only to discover the key to their realm’s survival lies within each of their own hearts.
Emma! A Pop Musical by Eric Price
The Story: Emma, a senior at Highbury Prep, is certain she knows what’s best for her classmates’ love lives, and is determined to find the perfect boyfriend for shy sophomore Harriet by the end of the school year. But will Emma’s relentless matchmaking get in the way of finding her own happiness? Based on Jane Austen’s classic novel, this sparkling new musical features the hit songs of legendary girl groups and iconic female singers from The Supremes to Katy Perry. Girl power has never sounded so good!
Like You Like It music by Daniel S. Acquisto, book & lyrics by Sammy Buck
The Story: All the world’s a mall in this totally awesome musical mashup of Shakespeare and John Hughes. It’s 1985 and the brand new Arden Mall is hosting a high school dance. Bookworm babe Rosalind wants to go with varsity wrestler Orlando, but she’s never had the guts to talk to him. Rosalind disguises herself as a frat dude named Corey and discovers Orlando’s true feelings for her. But things get tricky when “Corey” complicates the lives of three other couples at Arden. Rosalind will do anything to get Orlando, even if it means showing up at the dance as both herself and Corey. Filled with memorable ’80s-inspired tunes, a hip sense of humor, and heart, it all works out like you like it if you take the biggest risk of all: being yourself.
Penelope, or How The Odyssey Was Really Written book & lyrics by Peter Kellogg, music by Stephen Weiner
The Story: It’s funny, it’s fierce and, above all, it’s epic! For the last twenty years, Penelope has been waiting for her husband Odysseus to return from the Trojan War. Meanwhile, a bevy of suitors have gathered, each wanting to marry her and take over the kingdom. Since they have little else to do but eat and drink, they decide to form an a capella group. To stall them, Penelope writes letters to herself and pretends they’re from Odysseus saying he’s on his way. Little does she know, her letters gathered together are creating the story of The Odyssey.
