Choosing the right comedy for a high school production can set the stage for a fun, unforgettable experience for both student performers and the audience. Whether you’re looking for fast-paced farce, clever satire, or laugh-out-loud ensemble pieces, we offer a wide variety of comedies with plenty of great roles and moments to showcase your students’ talents. Explore some of our most popular and well-loved comedies for high schools below. Looking for a drama? We’ve got you covered with our top Dramatic Plays for High Schools.
Almost, Maine by John Cariani
Welcome to Almost, Maine, a place that’s so far north, it’s almost not in the United States. It’s almost in Canada. And it’s not quite a town, because its residents never got around to getting organized. So it almost doesn’t exist. One cold, clear, winter night, as the northern lights hover in the star-filled sky above, the residents of Almost, Maine, find themselves falling in and out of love in unexpected and hilarious ways. Knees are bruised. Hearts are broken. But the bruises heal, and the hearts mend—almost—in this delightful midwinter night’s dream.
The Play That Goes Wrong (High School Edition) by Henry Lewis, Jonathan Sayer & Henry Shields
From Mischief, Broadway masters of comedy, comes the smash hit farce. Welcome to opening night of the Cornley University Drama Society’s newest production, The Murder at Haversham Manor, where things are quickly going from bad to utterly disastrous. This 1920s whodunit has everything you never wanted in a show—an unconscious leading lady, a corpse that can’t play dead, and actors who trip over everything (including their lines). Nevertheless, the accident-prone thespians battle against all odds to make it through to their final curtain call, with hilarious consequences! Part Monty Python, part Sherlock Holmes, this Olivier Award–winning comedy is a global phenomenon that’s guaranteed to leave you aching with laughter!
Arsenic and Old Lace by Joseph Kesselring
Drama critic Mortimer Brewster’s engagement announcement is upended when he discovers a corpse in his elderly aunts’ window seat. Mortimer rushes to tell Abby and Martha before they stumble upon the body themselves, only to learn that the two old women aren’t just aware of the dead man in their parlor, they killed him! Between his aunts’ penchant for poisoning wine, a brother who thinks he’s Teddy Roosevelt, and another brother using plastic surgery to hide from the police—not to mention Mortimer’s own hesitancy about marriage—it’ll be a miracle if Mortimer makes it to his wedding. Arsenic and Old Lace is a classic black comedy about the only thing more deadly than poison: family.
The Brothers Grimm Spectaculathon by Don Zolidis
The fairy tales of the Brothers Grimm are turned on their heads in this fast-paced, rollicking ride as two narrators and several actors attempt to combine all 209 stories ranging from classics like Snow White, Cinderella, and Hansel and Gretel to more bizarre, obscure stories like The Devil’s Grandmother and The Girl Without Hands. A wild, free-form comedy with lots of audience participation and madcap fun.
The Alibis by Tyler Dwiggins, Jonathan Dorf, Kathryn Funkhouser, Patrick Greene, Mora V. Harris, Jason Pizzarello, Ian McWethy, Carrie McWethy (McCrossen)
We challenged eight playwrights to find the comedy in crime in this rogue’s gallery of ten-minute plays wrapped in a classic whodunnit. When eccentric billionaire J. Leslie Arlington is murdered, a clueless detective finds the suspects are all reluctant to admit their alibis . . . because they were all committing other ridiculous crimes at the time. Designed as a flexible build-your-own mystery, you can perform these plays in any combination and thread them together with optional interludes. You never know what’s coming next when your suspects include disgruntled chefs, teen detectives, and vengeful divas, but one thing’s for certain: Every alibi is absolutely absurd.
10 Ways to Survive the Zombie Apocalypse by Don Zolidis
It’s the end of the world and hordes of rampaging zombies are about to kill you. What do you do? Try your hand at kung fu against the undead? Attempt to reason with creatures that would rather eat brains than use them? Turn to this handy and hilarious guide to survive the apocalypse! (Hint: sacrifice the weak is step number one.)
How to Get Away with a Murder Mystery by Don Zolidis
Five mysterious color-coded guests. A mansion. A murder. Can the killer get away with it? And how will the sleuths bring them to justice? A handy guide for how to escape the law when you just happen to be a prime suspect of a mysterious murder. Told in vignettes, this show hilariously skewers the tropes of the murder mystery: an airtight alibi, a long-winded monologue by a detective with an accent, an impossibly complicated Rube Goldberg murder device? Check, check, and check!
The Seussification of Romeo and Juliet by Peter Bloedel
A whimsical reinvention of Shakespeare’s tragic love story, complete with rhymed couplets, creative wordplay, and fantastical machines — similar to something Dr. Seuss might have come up with if he ever had his way with the script.
13 Ways to Screw Up Your College Interview by Ian McWethy
When two college recruiters at a prestigious university need to fill one last spot to keep their jobs, thirteen eccentric, dimwitted and slightly-insane high school seniors are eager to come in for an interview. What seems like a simple task turns into a nightmare when the applicants turn out to be a reality TV star, a practicing vampire, an amateur magician, and others that are much, much worse. Each applicant’s interview hilariously illustrates what NOT to do at a college interview.
You Can’t Take It With You by Moss Hart and George S. Kaufman
The family of Martin Vanderhof lives “just around the corner from Columbia University—but don’t go looking for it.” Grandpa, as Martin is more commonly known, is the paterfamilias of a large and extended family: His daughter, Penny, who fancies herself a romance novelist; her husband, Paul, an amateur fireworks expert; their daughter, Alice, an attractive and loving girl who is still embarrassed by her family’s eccentricities—which include a xylophone player/leftist leaflet printer, an untalented ballerina, a couple on relief, and a ballet master exiled from Soviet Russia. When Alice falls for her boss, Tony, a handsome scion of Wall Street, she fears that their two families—so unlike in manner, politics, and finances—will never come together. During a disastrous dinner party, Alice’s worst fears are confirmed. Her prospective in-laws are humiliated in a party game, fireworks explode in the basement, and the house is raided by the FBI. Frustrated and upset, Alice intends to run away to the country, until Grandpa and Co.—playing the role of Cupid—manage not only to bring the happy couple together, but to set Tony’s father straight about the true priorities in life. After all, why be obsessed by money? You can’t take it with you.
Clue (High School Edition) Based on the screenplay by Jonathan Lynn, Written by Sandy Rustin, Additional Material by Hunter Foster & Eric Price, Based on the Paramount Pictures Motion Picture, Based on the Hasbro board game CLUE, Original Music by Michael Holland
It’s a dark and stormy night, and you’ve been invited to a very unusual dinner party. Each of the guests has an alias, the butler offers a variety of weapons, and the host is, well, dead. So whodunit? Join the iconic oddballs known as Scarlet, Plum, White, Green, Peacock, and Mustard as they race to find the murderer in Boddy Manor before the body count stacks up. Based on the cult classic film and the popular board game, Clue is a madcap comedy that will keep you guessing until the final twist.
Fast Food by Tracy Wells
When you’re hungry for hilarity but short on time and tight on budget, where do you turn? Why, the one-act play Fast Food, of course! From crazy customers to screwy staff, this vignette-style collection of scenes will satisfy your craving for fast food fun while offering a simple set and an entirely flexible and expandable cast.
