Broadway shows have long captured the hearts of audiences with their captivating stories, unforgettable characters, and spectacular sets. The allure extends far beyond New York City, as many hit productions are available for licensing, allowing theatre groups worldwide to bring these beloved stories to life on their own stages. Whether you’re a seasoned director or part of a community theatre troupe, licensing a Broadway hit can elevate your production and draw in the crowds. Create your own theatrical magic with one of our top picks below!

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Appropriate by Branden Jacobs-Jenkins

Every estranged member of the Lafayette clan has descended upon the crumbling Arkansas homestead to settle the accounts of the newly-dead patriarch. As his three adult children sort through a lifetime of hoarded mementos and junk, they collide over clutter, debt, and a contentious family history. But after a disturbing discovery surfaces among their father’s possessions, the reunion takes a turn for the explosive, unleashing a series of crackling surprises and confrontations.

Winner of the 2024 Tony Award® for Best Revival of Play

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Home by Samm-Art Williams

The action begins on the small farm in South Carolina that Cephus Miles, an orphan, has inherited from his family. Young and strong, he is content to work the land—until his childhood sweetheart rejects him and goes off to college. Not believing in the Vietnam war, Cephus is imprisoned as a draft evader for refusing to serve. By the time he is released, Cephus has lost his land to the tax collector so he heads north to build a new life. With a good job and a slinky new girlfriend, he finds the big city exciting and rewarding. But soon after, the dream begins to fade—Cephus loses his job and becomes involved in drugs and prostitution. Pulling himself together, he returns to South Carolina and settles back on the land with his old sweetheart. Despite all, he has never lost his joyous goodwill, his indomitable spirit and the conviction that one day his quest for fulfillment will be rewarded.

Currently running on Broadway through July 21st, 2024

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Jaja’s African Hair Braiding by Jocelyn Bioh

Jaja’s African Hair Braiding in Harlem is a salon full of funny, whip-smart, talented women ready to make you look and feel nice nice. On this particularly muggy summer day, Jaja’s rule-following daughter Marie is running the shop while her mother prepares for her courthouse, green card wedding—to a man no one seems to particularly like. Just like her mother, DREAMer Marie is trying to secure her future; high school graduation is around the corner and all she wants to do is go to college. While Marie deals with the customers’ and stylists’ laugh-out-loud drama, news pierces the hearts of the women of the salon, galvanizing their connections and strengthening the community they have longed to make in the United States.

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Leopoldstadt by Tom Stoppard

Spanning fifty years and multiple generations, Leopoldstadt follows a family’s reckoning with a past it cannot escape and a future it cannot control. A passionate drama of love and endurance beginning in the last days of 1899 through the heart of the twentieth century, Stoppard’s customary wit and beauty shines through the enduring spirit of a family tested to its most extreme limits.

Winner of the 2023 Tony Award® for Best Play

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The Shark Is Broken by Ian Shaw and Joseph Nixon

The first summer blockbuster movie is being filmed—but no one working on the film would know it. Dive deep into the tumultuous, murky waters of the making of a major motion picture with testy, feuding costars, unpredictable weather, and a shark prop whose constant breakdowns are looking like an omen for the future of the movie. In this comedy co-written by Ian Shaw and Joseph Nixon, the short tempers of Jaws stars Robert Shaw (father of co-writer Ian), Richard Dreyfuss, and Roy Scheider take center stage as they bond, argue, drink, gamble, and pray for an end to the shoot, not knowing it will change their lives forever.

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Hangmen by Martin McDonagh

It’s 1965, and the death penalty has just been abolished in the United Kingdom. Naturally all of Oldham, northern England, wants to know what Harry, the second-best hangman in the country, has to say about it. As the news breaks, Harry’s pub is overrun with locals and reporters looking for a quote, until a visitor arrives with a darker and more mysterious agenda.

 

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Grand Horizons by Bess Wohl

Fifty years into her marriage to Bill, Nancy wants a divorce. While her husband seems unfazed by the decision, her two adult sons are shaken to the core, forced to reexamine everything they thought they knew about their parents’ outwardly happy lives. As the family grapples with their new reality, each must reckon with their own imperfect past and how their love for each other might express itself in new and unlikely forms.

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Take Me Out by Richard Greenberg

Darren Lemming, the star center fielder of the world champion New York Empires, is young, rich, famous, talented, handsome and so convinced of his popularity that when he casually announces he’s gay, he assumes the news will be readily accepted by everyone. It isn’t. Friends, fans and teammates react with ambivalence, and when the slipping Empires call up the young phenom Shane Mungitt to close their games, the ambivalence turns to violence. Angry, lonely, guilt-ridden and confused, Darren finds some unlikely solace in the form of friendship with his new business manager, Mason Marzac—a brilliant but repressed guy, who, as everyone around him copes with disenchantment, blooms in the ecstatic discovery of baseball.

Winner of the 2003 Tony Award® for Best Play

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Topdog/Underdog by Suzan-Lori Parks

A darkly comic fable of brotherly love and family identity is Suzan-Lori Parks’ latest riff on the way we are defined by history. The play tells the story of Lincoln and Booth, two brothers whose names were given to them as a joke, foretelling a lifetime of sibling rivalry and resentment. Haunted by the past, the brothers are forced to confront the shattering reality of their future.

Winner of the 2022 Pulitzer Prize for Drama

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Sea Wall by Simon Stephens

A devoted husband, a proud father, and a successful photographer, Alex is living his dream. But without warning, his good fortune slips out from beneath his feet, leaving Alex as a shell of the man he once was.

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A Doll’s House by Henrik Ibsen, adapted by Frank McGuinness

Nora Helmer is a vibrant young housewife who nonetheless suffers from a crippling dependency on her husband of eight years. He, Torvald, has always done the thinking for the both of them. In order to save Torvald from a debt, and to spare his masculine pride, Nora arranges a loan without his knowledge, and does so by forging a signature. The inevitable revelation of the crime results in an unexpected reaction from Torvald: Rather than being grateful to Nora, he is incapable of accepting the pride and self-sufficiency she demonstrated in taking care of him, and he accuses her of damaging his good name. The illusions behind their marriage are exposed, and Nora wakes to feelings of self awareness for the first time in her life. Torvald is not the man she thought she knew. They are husband and wife, yes, but they are strangers as well. And in one of the most famous, and scandalous, climaxes in all of nineteenth-century drama, Nora leaves her husband and children, determined to forge a new identity from the one she has always known.

Winner of the 1997 Tony Award® for Best Revival of a Play

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How I Learned to Drive by Paula Vogel

A wildly funny, surprising and devastating tale of survival as seen through the lens of a troubling relationship between a young girl and an older man. How I Learned to Drive is the story of a woman who learns the rules of the road and life from behind the wheel.

Winner of the 1998 Pulitzer Prize for Drama

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Betrayal by Harold Pinter

The play begins in the present, with the meeting of Emma and Jerry, whose adulterous affair of seven years ended two years earlier. Emma’s marriage to Robert, Jerry’s best friend, is now breaking up, and she needs someone to talk to. Their reminiscences reveal that Robert knew of their affair all along and, to Jerry’s dismay, regarded it with total nonchalance. Thereafter, in a series of contiguous scenes, the play moves backward in time, from the end of the Emma-Jerry affair to its beginning, throwing into relief the little lies and oblique remarks that, in this time-reverse, reveal more than direct statements, or overt actions, ever could.

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Frankie and Johnny in the Clair de Lune by Terrence McNally

The setting is a walk-up apartment on Manhattan’s West Side where, as the curtain rises, Frankie (a waitress) and Johnny (a short-order cook who works in the same restaurant) are discovered in bed. It is their first encounter, after having met several weeks ago on the job, and Frankie is hopeful that Johnny will now put on his clothes and depart, so she can return to her usual routine of watching TV and eating ice cream. But Johnny, a compulsive talker (and romantic), has other ideas. He is convinced that he loves Frankie, a notion that she, at first, considers to be ridiculous. She has had more disappointments than delights in life, and he is the veteran of one broken marriage already. And neither of them is in the bloom of youth. Yet out of their sometimes touching, sometimes hilarious interplay the promise of a relationship beyond a “one-night stand” does begin to emerge and, as the lights dim, the two are back in bed again, but this time side-by-side, holding hands before the glowing television screen.

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The Inheritance, Part One & Part Two by Matthew López

Decades after the height of the AIDS epidemic, The Inheritance tells the story of three generations of gay men in New York City attempting to forge a future for themselves amid a turbulent and changing America. Eric Glass is a political activist engaged to his writer boyfriend, Toby Darling. When two strangers enter their lives—an older man and a younger one—their futures suddenly become uncertain as they begin to chart divergent paths. Inspired by E.M. Forster’s masterpiece Howards End, The Inheritance is an epic examination of survival, healing, class divide, and what it means to call a place home.

Winner of the 2020 Tony Award® for Best Play