Looking for captivating drama to grace your stage? Whether you’re a seasoned theatre troupe or just starting out, the power of a well-executed play can transform an audience’s experience. From timeless classics to contemporary favorites, we’ve curated a list of dramatic plays that any theatre, big or small, can produce. Casting will be a cinch because these shows require 10 or fewer actors, and most can be made with a flexible set. In addition, these dramas are appropriate for a wider audience, with minimal moments of coarse language. Picking your next show has never been easier!
The Book of Will by Lauren Gunderson
Without William Shakespeare, we wouldn’t have literary masterpieces like Romeo and Juliet. But without Henry Condell and John Heminges, we would have lost half of Shakespeare’s plays forever! After the death of their friend and mentor, the two actors are determined to compile the First Folio and preserve the words that shaped their lives. They’ll just have to borrow, beg, and band together to get it done. Amidst the noise and color of Elizabethan London, The Book of Will finds an unforgettable true story of love, loss, and laughter, and sheds new light on a man you may think you know.
Roles: 7M, 3W (Flexible Set)
The Da Vinci Code adapted by Rachel Wagstaff and Duncan Abel
In this thrilling play, based on Dan Brown’s bestselling international phenomenon, Professor Robert Langdon is called to the Louvre in the dead of night, where he unwittingly becomes the center of a murder investigation. When cryptologist Sophie Neveu arrives at the scene, she alerts Robert that, not only is he being asked to solve the crime, he is also the prime suspect. Soon they are in a race against time to clear Robert’s name and decipher a labyrinthine code before a shocking historical secret is lost forever.
Roles: 7M, 4W (Flexible Set)
Deathtrap by Ira Levin
Comfortably ensconced in his charming Connecticut home, Sidney Bruhl, a successful writer of Broadway thrillers, is struggling to overcome a dry spell which has resulted in a string of failures and a shortage of funds. A possible break in his fortunes occurs when he receives a script from a student in the seminar he has been conducting at a nearby college—a thriller that Sidney recognizes immediately as a potential Broadway smash. Sidney’s plan, devised with his wife’s help, is to offer collaboration to the student for co-credit. Or is it? Deathtrap provides twists and turns of devilish cleverness, and offers hilariously sudden shocks in such abundance that audiences will be spellbound until the very last moment.
Roles: 3M, 2W
Guess Who’s Coming to Dinner by Todd Kreidler
A progressive white couple’s proud liberal sensibilities are put to the test when their daughter brings her black fiance home to meet them in this fresh and relevant stage adaptation of the iconic film Guess Who’s Coming to Dinner. Blindsided by their daughter’s whirlwind romance and fearful for her future, Matt and Christina Drayton quickly come to realize the difference between supporting a mixed-race couple in your newspaper and welcoming one into your family–especially in 1967. But they’re surprised to find they aren’t the only ones with concerns about the match, and it’s not long before a multi-family clash of racial and generational difference sweeps across the Draytons’ idyllic San Francisco terrace. At the end of the day, will the love between young Joanna and John prevail? With humor and insight, Guess Who’s Coming To Dinner begins a conversation sure to continue at dinner tables long after the curtain comes down.
Roles: 4M, 5W
Intimate Apparel by Lynn Nottage
In 1905 New York City, Esther, a Black seamstress, is in great demand for the intimate apparel she creates for clients who range from wealthy white patrons to prostitutes. Though leading a life that provides joy to so many, she remains lonely and longing for a husband and a future. Through a mutual acquaintance, she begins a correspondence with a lonesome Caribbean man named George and soon he persuades her that they should marry, sight unseen. However, Esther’s heart is drawn to the Hasidic shopkeeper from whom she buys cloth, and his heart with her. When George arrives in the city, Esther is hit with the reality of the situation and she is forced to face a future that she is truly unprepared for.
Roles: 2M, 4W (Flexible Set)
LOVE/SICK by John Cariani
A darker cousin to Almost, Maine, John Cariani’s LOVE/SICK is a collection of nine slightly twisted and completely hilarious short plays. Set on a Friday night in an alternate suburban reality, this 80-minute romp explores the pain and the joy that comes with being in love. Full of imperfect lovers and dreamers, LOVE/SICK is an unromantic comedy for the romantic in everyone.
Roles: 2-10M, 2-10W (Flexible Set)
Silent Sky by Lauren Gunderson
When Henrietta Leavitt begins work at the Harvard Observatory in the early 1900s, she isn’t allowed to touch a telescope or express an original idea. Instead, she joins a group of women “computers,” charting the stars for a renowned astronomer who calculates projects in “girl hours” and has no time for the women’s probing theories. As Henrietta, in her free time, attempts to measure the light and distance of stars, she must also take measure of her life on Earth, trying to balance her dedication to science with family obligations and the possibility of love. The true story of 19th-century astronomer Henrietta Leavitt explores a woman’s place in society during a time of immense scientific discoveries, when women’s ideas were dismissed until men claimed credit for them. Social progress, like scientific progress, can be hard to see when one is trapped among earthly complications; Henrietta Leavitt and her female peers believe in both, and their dedication changed the way we understand both the heavens and Earth.
Roles: 1M, 4W (Flexible Set)
The Birds by Conor McPherson
Daphne du Maurier’s short story, also the basis for Alfred Hitchcock’s classic film, is boldly adapted by Conor McPherson—a gripping, unsettling, and moving look at human relationships in the face of societal collapse. In an isolated house, strangers Nat and Diane take shelter from relentless masses of attacking birds. They find relative sanctuary but not comfort or peace; there’s no electricity, little food, and a nearby neighbor may still be alive and watching them. Another refugee, the young and attractive Julia, arrives with some news of the outside world, but her presence also brings discord. Their survival becomes even more doubtful when paranoia takes hold of the makeshift fortress—an internal threat to match that of the birds outside.
Roles: 2M, 2W (Flexible Set)
An Inspector Calls by J.B. Priestley
The action of the play occurs in an English industrial city, where a young girl commits suicide and an eminently respectable British family is subject to a routine inquiry in connection with the death. An inspector calls to interrogate the family, and during the course of his questioning, all members of the group are implicated lightly or deeply in the girl’s undoing. The family, closely knit and friendly at the beginning of the evening, is shown up as selfish, self-centered or cowardly, its good humor turning to acid, and good fellowship to dislike, before the evening is over. The surprising revelation, however, is in the inspector—who turns out to be no copper at all but a mysterious individual with full knowledge of everyone’s connection with the suicide. After the false inspector has been shown up, and it is discovered that no suicide had been recorded, an actual copper shows, and a last-minute suicide is reported, which ties in mysteriously with the foregoing.
Roles: 4M, 3W
Wit by Margaret Edson
Vivian Bearing, Ph.D., a renowned professor of English who has spent years studying and teaching the brilliant and difficult metaphysical sonnets of John Donne, has been diagnosed with terminal ovarian cancer. Her approach to the study of Donne: aggressively probing, intensely rational. But during the course of her illness—and her stint as a prize patient in an experimental chemotherapy program at a major teaching hospital—Vivian comes to reassess her life and her work with a profundity and humor that are transformative both for her and the audience.
Roles: 4+ M or W (Flexible Set)
